Tags: jiangxi road


Pantheon Theatre then and now (80 years apart)

The North-China Daily News, Oct 7, 1937: "Over the barbed wire, the Pantheon Theatre (in the background of the picture below), still presented a menace yesterday to Japanese positions nearby. On the second floor, immediately above the burned-out two-storey building, may be seen windows with blankets hung by the Chinese troops to conceal their activities."

The Chinese troops defended the theatre, located just beyond the boundary of the International Settlement, for three months.

The streetview of the building in 2017 shows it bricked up for demolition. It is a shame that such a proud moment of Chinese history is being erased.


#126 Shanghai Architecture Series: Three Ghosts of Old Shanghai

This article was originally written for the weekly architecture series in Magazeta: https://magazeta.com/2019/04/arc-book/

"Old Shanghai is breathing its last breath: old customs have died, old buildings razed to the ground to make way for new, even the old residents have subtly changed," lamented a newspaper article in 1924. Shanghai has always been a city of change, and some of today's heritage sites demanded the demolition of even older buildings. Today we recall three historic landmarks, once integral to Shanghai's landscape and now completely forgotten.

The War Memorial 欧战胜利纪念碑
Existed from 1924 to 1943 (19 years).
Was located on the Bund, at the end of Avenue Edward VII (Yan'an Road).

[Click to see the text and the images]

The most iconic postcard view of Shanghai included the bronze statue of the Victory Angel, with its head mournfully tilted, right arm outstretched toward the bend of the Bund; two forlorn-looking children crouched at the Angel's feet. The monument was constructed in 1924 in memory of the fallen soldiers, mostly British, who sailed from Shanghai to the First World War battlefields and died there. The plaque at the base of the monument contained more than 200 names.

The monument was designed by the Scottish architecture firm Stewardson & Spence; the bronze sculptures were authored by Henry C. Fehr, and the heraldic compositions and wreaths at the base of the pedestal were the work of the Russian sculptor Isabella Karsnitsky. From the moment of her arrival in Shanghai she worked for the largest design company Arts & Crafts, who trusted her also with the design of the three deities on the tower of the General Post Office.

The War Memorial served as the site for the Arimstice Day ceremonies and a starting point for parades, but on normal days traffic policemen had a hard time driving away coolies and beggars who liked to sit in the shade of the massive memorial. Also, visitors complained about the persistent smell of urine emanating from the base. To tackle these problems, temporary fences often surrounded the memorial.

In 1943, when the foreign settlements fell under the control of the Japanese occuying army, the bronze Angel of Victory and all other decorative elements of the memorial were torn down, broken to pieces and sent to a scrapyard, leaving just the empty stone pedestal on the Bund. The same happened to countless garden fences, street lamps, street clocks, grills, gates – and the memorial bust of the famous Russian poet Pushkin installed in the French Concession in 1937. The plan was to send all this scrap metal to Japan to use in weapons' manufacturing, but the Pacific War made sailing from Shanghai impossible, and the vandalized metal parts never left the city.

After the end of the occupation, in autumn 1945, the Angel of Victory was considered lost forever until a curious Russian girl Anna Boormistroff embarked on a search for the bust of Pushkin. She rummaged in the contents of a dumping ground on the corner of East Broadway, and although the poet's bust was nowhere to be seen, she found pieces of the bronze angel. The British society rejoiced, media praised Anna, and the bits of the Angel were transported to the British Consulate. (See this post for more photographs of the Victory Angel and the full story of Anna's discovery.)

The plans to restore the War Memorial never came to fruition: the settlements were no longer foreign territory, a civil war was raging in China, and the reappearance of a foreign memorial to foreign victims of a long-forgotten European war would seem strange, to say the least.

Классический вид шанхайской набережной в 1937 году; справа Ангел Победы (с) Claude Berruyer.jpg
Waterfront in 1923; the scaffolding over the future War Memorial is circled. Image: delcampe.net.

The War Memorial fenced off against loitering and vandalism. Image: Virtual Shanghai.

Armistice Day in 1924. Photographed by Archibald Lang. Image: Historical Photographs of China, University of Bristol.

Empty pedestal around 1946. Image: George Lacks; Google Cultural Institute.

Remains of the Victory Angel in the British Consulate in 1947. Image: NCDN, January 1947.

Professor Robert Bickers, who has done extensive research on Shanghai's foreign memorials, found this 1950 poster with a reimagined monument. "Parade celebrating the Founding of the People’s Republic of China (Shanghai) 庆祝中华人民共和国成立游行 (上海)." Image: source.

Top: The Bund in 1937. Image: Claude Berruyer.

Club Concordia 德国总会

Existed from 1907 to 1935 (28 years).
Was located at 23 on the Bund, where the Bank of China now stands.

[Click to see the text and the images]

Germans were well represented in foreign Shanghai at the turn of the 20th century and outnumbered only by the British. By 1910 every sixth foreign company was Prussian. Already in 1900, the growing community began to raise funds and discuss designs of a prospective clubhouse, modeled after the British Shanghai Club, which would be "the largest and the finest" in Shanghai.

The lot in the center of the Bund was purchased from the English firm Shaw, Ripley & Co., and in October 1904 the Prussian prince Adalbert presided over the laying of the cornerstone of the future German Club. The only concern was that the southern facade of the club would be overshadowed by the new "palatial" building of the Russo-Chinese Bank. However, the architect Heinrich Becker, who designed both buildings, ensured the stylistic superiority of the German Club. For many years, Concordia was the most beautiful building on the Bund. Reinforced cement was used in its construction – for the first time in Shanghai.

For maximum effect, the building was kept under scaffolding until the last day. On the opening night, 6 February 1906, even the Shanghai Club was empty of visitors: everyone went to see the opening of Concordia. The elaborate roofline and turrets made the building like a Prussian castle, but to see real luxury one had to go in and be greeted by a huge bust of Kaiser Wilhelm II. Painted views of Berlin adorned the walls, and coffered ceilings had solid beams carved with German folk wisdoms in Gothic blackletter. The dining room offered a panoramic view of the Huangpu River through stained glass windows with pastoral landscape scenes and coats of arms from Prussian provinces.

In spite of its nationalist-flavored interiors, the German Club's agenda was light and entertaining. Soon enough Concordia earned the reputation of being the best place for masked balls and yearly bowling competitions. In 1915, however, when the First World War broke out in Europe, the attitude toward Germans in Shanghai forced many of them to leave. Some went to fight in the war, others had to close down businesses, and everyone felt the change in the public attitude. When in August 1917 China at last joined the Entente and declared war on Germany, both German newspapers were forced to close and the doors of the Concordia Club were sealed. There was some deliberation in the English press as to what the building should be used for, but everyone admitted the club now belonged to the Chinese. Eventually, the building was passed down to the Bank of China, which had it demolished in 1935 to make way for a skyscraper.

Shanghai's German landmarks on the Bund: the Iltis Monument (center right) and the Concordia (left). Image: delcampe.net.

Prussian public at the ceremony of the laying of the foundation, in 1904. Image: Historical Photographs of China, University of Bristol.

Concordia around 1910. Image: flickr Fin de Siecle.

On the roof of Concordia in 1926, looking toward the Palace Hotel. Image: Japanese photographers collection at tuyouhuaxia.

Interior of the club. Image: minguotupian.com.

The dismantling of Concordia (to the right of the Sassoon House) to make space for the new Bank of China. Image: flickr Fin de Siecle. Collection of Li Shengkai

Top: Concordia on the Bund, c. 1910. Image: Francis Stafford, Stanford University.

The Kiangse Road Water Tower 江西路自来水塔

Existed between 1883 and 1954 (71 years)
Location: corner of Kiangse (Jiangxi) Road and Hongkong Road 江西中路/香港路

[Click to see the text and the images]

Before piped water came to Shanghai, Chinese and foreign population had to choose between brackish well water or muddy water from the Huangpu, which had to be purified with alum to remove sediment. Cholera outbreaks were frequent; disentery was considered a feature of the subtropical climate. But in 1880 the English firm Drysdale, Ringer & Co. started to build a system of underground piping, and in April 1883 the Kiangse Road Water Station started ins operation. It supplied fresh water to all of the International Settlement.

The water tower, 30 meters high, maintained pressure in the pipes and served to store water in case of a massive fire. The intricate wrought-iron construction was easy to see from any part of Shanghai. Around the same time, in 1882, electricity network came to Shanghai and gas street lamps were replaced with electric ones. To celebrate the Golden Jubilee of Queen Victoria in 1887, the water tower was decorated with electric lights, and this fantastic and progressive sight – two-in-one – was reproduced as an illustration in the Dianshizhai Pictorial (see the top image in this post). This nod toward progress did little to reassure the Chinese population, many of whom continued to distrust tap water from suspicious underground pipes. There were rumours of drowned bodies floating inside the water tank up above.

Even thirty years after its launch, the Kiangse Road Wateworks continued to operate impeccably. In the middle of the 1920s, when London tap water was the benchmark for quality, Shanghai water even surpassed it in purity. The secret was not so much in technology – the waterworks used traditional sand filtering – but the source. Contrary to the worldwide custom to draw water upstream from the city, Shanghai's water was drawn downstream, at the mouth of the Huangpu, where mighty Yangtze pushed its presumably clean water up the Huangpu. "In China, everything is upside down," remarked the papers. For comparison, Chapei Waterworks, which drew water from the Suzhou Creek, ended up with "liquid dirt" full of cholera germs coming from the tap.

By the 1930s, the Shanghai Waterworks had expanded, and there was a giant modern waterworks in Yangtzepoo. Journalists now looked at the old water tower with disdain, calling it "an eyesore on the changing skyline of Shanghai" and likening it to the "buzzard's nest on top of a travelling crane." In 1932, modernist lines were in vogue, and Victorian flourishes must have seemed especially revolting. In spite of this ostracism, the tower quietly survived the age of art-deco, the Japanese occupation and the Liberation, and was pulled down in 1954. Now there is a garage and an office on that corner. Only the Waterwarks Administration building, built in 1888, survives in a much changed form, at 464–464 Middle Jiangxi Road.

Drawing of the Water Tower found by the British Watertower Appreciation Society.

Was the Kiangse Road Water Tower (left) really such a blight on "Shanghai's changing skyline"? I'd rather say Bank of China was. Photo taken in the 1940s from the Embankment Building on the north side of Suzhou Creek. Image: flickr Cities in Old Days.

When Shanghai journalists were dissing the Kiangse Road Water Tower (right), they were glorifying Eugene Volta's design for Chicago Water Tower (left). Image: The China Press (June 1932).

Water tower seen up close and view along Kiangse Road in 1937. Image: Harrison Forman, AGSL Collections at UWM.

Top: Pipeline across Soochow Creek and the Water Tower, c. 1880. Image: Getty Research Institute.

Top image: 高台点灯; Water tower decorated with electric lights for the Queen Victoria's 50th ascension anniversary. Image: Dianshizhai, May 1887.


The development of the Development Building

An odd fact: the Development Building 建设大楼, opposite the Metropole, was meant to be one part with the Central Police Station 总巡捕房.

Architect D. G. Miriams' drawing of the planned corner building. Image: The China Press, 10 Dec 1931.

The illustration above announced the plan to create a six-story building on the corner of Kiangse and Foochow Roads to house "all branches of the central police force, including the Criminal Investigation Bureau, Police Department, Fingerprint Department, and numerous special branches [...] at present scattered over all parts of the central district." This was published when Metropole and Hamilton House were already rising on two other corners of this intersection.

Instead, the Central Police Station was built in 1933 not on the corner, but in the middle of the block, while the corner was taken up by the Development Building rising much higher than the architect's vision. I think this was for the best, as it created the most impressive intersection anywhere in the International Settlement, firmly pinning down the center of the business district. You can see various angles of it at PastVu.

Part of the Development Building (left) and Central Police Station (center) in 1937. Image: Harrison Forman, AGSL at UWM.

The version of the corner building that was built in 1934 for the Commercial Bank of China, by Davies, Brooke & Gran. Image: minguotupian.com.

The Development Building.


Historic Ezra Building demolished

There has been a lot of vigorous renovation in the blocks near the Bund, and much of it includes complete destruction of historic architecture. This is Ezra Building (新康大楼), on the northeast corner of Jiangxi Road and Jiujiang Road, photographed by Thomas Struth in 1996 (it's on the left):

Recent Google satellite image reveals the disappearance of the building:

Here is an alternative satellite view, showing the building before the gutting:

And here is the gutting in progress:

Here is the streetview before the Ezra Building was covered in scaffolding:

The is all part of the renovated Central Arcade, so if some time later anyone shows you the 'restored' historic Ezra Building, don't believe them! The real one has been demolished in spite of its protected status, awarded in 2015:

It's pretty amazing what passes for historic preservation in Shanghai. Here is a nice overview of the building when it was still standing, which includes a lot of interior details, such as fireplaces, mosaic floor tile and brass door handles, now all gone up in construction dust: